This is my diorama in 1:700 scale showing H.M.S. Barham, accompanied by H.M.S. Valiant and H.M.S. Griffin on the 25th of November 1941, just before being torpedoed by U-331. It took me more than seven years to finish mainly due to moving to a new home while Barham was being built. All the ships are featured with a detailed build log, which can be found here:
viewtopic.php?f=59&t=163972&hilit=barhamhere:
viewtopic.php?f=59&t=315058&hilit=valiant and here:
viewtopic.php?f=59&t=377115The diorama was constructed as follows: before their assembly commenced the position of the individual ships had been marked and holes had been drilled to accept the screws holding the models.
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Once I had finished construction of the last member of the diorama, H.M.S. Griffin, I started working on the seascape. I sourced what I believed was a generous amount of Magic Sculp, but as I had no previous experience with it, I found out only during the wave formation that is will not suffice to cover the whole of the diorama. I was desperate to get some more, because I had only a few days to complete my work. A model competition was being held in Mosonmagyaróvár here in Hungary and I wanted to get the job done and participate. Finally after using up another dose of Magic Sculp and having covered about 2/3 of the water surface I switched to Milliput, because it was the one I could get, hence the two colours of the base.
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Having mixed the two components a thin layer was added to the base, then using a spoon and the handle of a small pair of scissors the wave pattern was formed using plenty of water. Recesses for the ships were left bare. My inability to achieve a uniform thickness of putty resulted in a realistic effect: the battleships, especially H.M.S. Valiant “dig their bow in” the water surface, a phenomenon which was a characteristic feature of the QE class. The surface was primed and sprayed several shades of blue with a hint of green. Light blue was airbrushed carefully around the wakes of the ships to represent disturbed water. Wave crests of white were painted on with a fine brush – a tiresome and tedious affair. Acrylic gel was stippled all over the surface adding another layer of texture.
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