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PostPosted: Mon Oct 14, 2024 8:06 am 
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Next, I took care of the cleats for the hangers of the jeer blocks. In Portsmouth they are in the form of a bracket. All other literature that does not base on the restored ship show a shoulder piece.
So the brackets from my printed parts go into the bin. Its up to the shoulder

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I took the opportunity to determine the length of the hangers, as I don't know how they will be accessible later.

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But more on the jeers later.

And then it's finally its turn, the top mast.

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Placed in front of the mast, it is threaded through the trestle trees of the fighting top and pulled upwards using 2 pulleys in the foot.

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Here are some older pictures. The top gallant mast was also raised in this way, it is basically a very simple telescopic lift.

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XXXDAn

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PostPosted: Tue Oct 15, 2024 5:27 am 
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After the fighting top had found its place, it was finally time to fit the futtock shrouds.

The work preparation was the blackening of the etched parts and the painting of the dead eyes. Then the irons of the dead eyes were bent open, the dead eyes inserted and everything squeezed shut and secured with some glue.

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The upper hooks were then tied into the shrouds. This shroud was fully dressed, again using my technique with white glue as for my scale.

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First test of the dead eyes in the holes of the fighting top and the shrouds hooked in.

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Now you can see where the holes in the fighting top need to be reworked so that the irons don't sit at an angle. The lower shrouds have also been marked with a thread to hold the futtock shrouds.

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Next, the dressing of the lower shrouds was completed and brought to the same height.

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Finally the futtock shrouds could be hooked in, wrapped once around the futtock stave and tied to the shroud.

After trimming, this is what came out :-)

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XXXDAn

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PostPosted: Wed Oct 16, 2024 8:28 am 
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For the next level, I prepared the top mast shrouds. Even if Steel doesn't mention it explicitly, in most modern sources the foremost shroud is also dressed here, so that's what I decided to do. The sisterblock is also integrated between the two forward shrouds.

But first come the hangers / burton tackles ...

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... then the sister blocks ...

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... and everything in place.

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Here you can see again the difference between the dressed and undressed shrouds. Unfortunately, in contrast to my self-made ropes, the purchased ropes do fluff a little, but this is not visible to the naked eye.

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To continue working, I tensioned the shrouds down with clamps and gravity.

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And dark ropes in front of a dark background are somewhat annoying even with good lighting, so I made a white cardboard template for this spot.

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Here you can see again the difference between the dressed and undressed shrouds. Unfortunately, in contrast to my self-made ropes, the purchased ropes do fluff a little, but this is not visible to the naked eye.

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To continue working, I tensioned the shrouds down again with clamps and gravity.

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And dark ropes in front of a dark background are a bit annoying even with good lighting, so I made a white cardboard template for this spot.

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Then the dead eyes were bound in as the lower ones. To compensate for the lack of a third hand, I then tied the shroud to be worked on with a thread to the yardarm, see green arrows, helps immensely.

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XXXDAn

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PostPosted: Thu Oct 17, 2024 7:04 am 
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Utterly superb work and details. Amazing.


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PostPosted: Fri Oct 25, 2024 4:20 am 
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It was that time again. My little one had wanderlust again and wanted to get out.

Evian on Lake Geneva was the destination this time, a big meeting of the French. And as Madame doesn't like travelling, I was allowed to come along too. And a few other bits and pieces.

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The SMS Trinkstein was a big hit! The number of times Joachim had to tell the story is mind boggling, as the dafi was never there, he was at all times everywhere and gossiping with everyone. Thanks Joachim for the help!

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Captain Hornblower's starting scene was also well received, Capitaine sans peur as he is called in French, the captain without fear

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Various printed parts ...

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... working stuff ...

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... books ...

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... and of course savoury slices - after all, the French are gourmets :-)

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And the little one was also very excited ...

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...we had a photo session with her straight away.

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Best regards, DAniel

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PostPosted: Fri Oct 25, 2024 6:53 am 
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Thanks for the report :thumbs_up_1:

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PostPosted: Tue Oct 29, 2024 10:01 am 
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That looks like a fun trip Daniel! :thumbs_up_1: :thumbs_up_1: :thumbs_up_1:


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PostPosted: Sat Dec 28, 2024 3:49 pm 
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Merry Christmas everyone. It's been a while since Evian, but my little fat girl with the stripes is still slumbering in her transport box in the camper van. Too much to do in the time before the contemplative time.

Nevertheless, there was some news. Late additions and news. First the late addition :-)

Some time ago I needed some more guns. The proportions of the kit barrels are actually quite good, and with the etched parts you can also get the coat of arms on quite well. However, the most difficult part was always the part that you see the most - the muzzle. In the past, I had always closed it with some sprue and drilled a new hole, which was acceptable for individual pieces but annoying for mass production. Since I already had the basic programming for the guns of the USS Constitution, I took the Blomefield lines from the contemporary plans and updated them in the file and also added the coat of arms in the correct thickness for the scale. So I was able to reconstruct the whole set of guns quite quickly, I still use the gun mounts from the box.

Here's the old and the new together.

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Here is the difference between the untreated kit carronade and the new one, once pure and once with paint.

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The long tubes also benefit. The basic proportions are correct, but now the reinforcement rings are more clearly defined and the crest fits the scale.

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Here is a comparison of the lengths of the 12-pounders: short, medium, long, medium, short. I also took the opportunity to attach the flint lock. Because you never actually saw the empty pan shown otherwise. Either there was a cover over it or the flint lock was fitted.

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I think it was worth it :-)

XXXDAn

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PostPosted: Thu Jan 09, 2025 6:31 am 
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Well, and the little fat one with the stripes is still stuck in the camper van since Evian. Nevertheless, there is always enough Victory for me to do.

I really missed the 1910 model at the last two exhibitions, as I like to show the developments on the ship. Time to take another look at my victorian black and white beauty. The first construction phase was January to March 2022, so that's already 2 years ago.

A brief look back: After sanding down and fattening up the entire side of the ship to get a level surface, she looked all tattered at first.

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But the grace of the paint brought back some decency and dignity.

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But in this state I realized one thing: A lot of glue and car filler had caused the hull halves to warp outwards quite a bit, 2 mm on the port side and 6 mm on the starboard side :-0

Then I was initially frustrated, but also realized that I should let the material work out in peace and see if it would still turn out any good.

And I think it's going to become something in the end. The good girl was released from her slumber and thoroughly checked. Deformation no had longer increased. However, it will take a lot of bending force, but I think the decks can manage this, with a little internal help if necessary. But that will only come when the time comes. Why?

I can only insert the decks once the window panes have been inserted. I can only insert the window panes once the outside has been painted. And I can't paint the outside until the planks are in place. So I had to take care of the planks.

In the past, I liked to use 0.2 mm ABS sheet, but the plastic glue tended to leave fingerprints. Wood was too thick for me and too time-consuming to procure. That's why I went exploring in my model maker friends' circles and found what I was looking for: 250 gram paper/cardboard.

Initial tests were quite inspiring.

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In the original, there were wooden battens nailed on in two thicknesses to separate the colors. I made these from Evergreen, although I made them slightly thicker for handling reasons.

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So planks cut on the guillotine shears ...

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... and opened the glue pot.

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First planks are slapped on ...

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... and even that didn't put me off any further ;-)

And at some point the port half was planked, deliberately disregarding all planking schemes.

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And in case anyone thinks that the entrance gate visible today is original, no, the gate that can be seen today is from this state of construction and was installed in the ship between 1820 and 1828. One gate further back than as build. And these port parts were simply reinstalled one port further forward in 1920 and declared as Trafalgar state. Honi soit qui mal y pense.

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Fortunately, I've had the parts in my supply kit for a long time, so I just had to grab them.

For me as a plastic person, the tight planking around the stern was of course something new. I'll have to clean it up a bit, then it'll fit.

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And I don't know why I remembered some well-known lines in the next picture ...

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"Beneath it, visible to all, lay a huge spaceship, one hundred and fifty meters long, shaped like a smooth sneaker, snow-white and maddeningly beautiful. At its heart was a small golden box containing the most sophisticated invention ever made, an invention that made this spaceship something unique in the history of the galaxy, an invention that gave the spaceship its name - 'Heart of Gold'."
- The Hitchhiker's Guide to the Galaxy, Chapter 4

But what still looks like this ...

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... should develop into this :-)

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Cheers, DAniel

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See also our german forum for the age of Sail and History:
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PostPosted: Fri Jan 10, 2025 3:46 am 
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When it rolls, it rolls, or the victory of impatience over model-building caution.

Once I was this far along, I naturally wanted to see the whole thing in paint. This was a risk because the paper planking is quite sensitive and I still had to do the whole other side. But, but, but: it just had to be done.

I had slightly oversized the separating battens, so I sanded the thicker one even thinner and broke the edges. It did the whole thing good.
I used the masking tape to protect the paper planks. This worked really well.

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After the first round of white spray over everything, a beveled skewer was ideal for removing grains and impurities.

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Then I generously covered the white strip with masking tape and used the profile battens to cut it into shape with a scalpel, which went really quickly. Then black spray and removed the masking and simply: JOY! It worked.

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The first size sample of the rigols hung up.

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Very striking on the contemporary hull are the many additions, here the downpipes, probably plumbing.

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But with a little paint, they blend into the overall work of art in such a way that one thinks they have always been there ;-)

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Enjoy, DAniel

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PostPosted: Fri Jan 10, 2025 4:15 am 
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as a fellow black and white sailing ship builder....( Bretagne)

( but mine is 7 x smaller ) :big_grin:

I understand the joy of all
the ' stuff ' being uncompromisingly painted ;black and white--including the anchors

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PostPosted: Fri Jan 10, 2025 5:03 am 
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... and even the anchor chains :lol_3: :lol_3: :lol_3: :lol_3:

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PostPosted: Fri Jan 10, 2025 6:22 am 
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Fantastic! I have an appreciation for the clean, uncompromising lines and paint schemes of this period. It will be interesting to see how the warping correction turns out.

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PostPosted: Mon Jan 13, 2025 4:32 am 
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And because it was so beautiful, we went straight on.

Some of the ports have been planked up over the years. So that it still looks very well-fortified ...

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... the missing windows were simply painted on. Honi soit qui mal y pense.

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The artillery has also found its way to the dressed rehearsal. In front are the three signal cannons for the salute, above them short 12-pounders from dubious historical stocks ...

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... and amidships the historic Trafalgar guns - or what they were considered to be at the time ;-)

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And before the questions come, yes, the barrels did indeed sit on the lower portframe back then. Improperly executed changes to the port dimensions and incorrect carriages ...

XXXDAn

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PostPosted: Tue Jan 14, 2025 3:02 am 
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The rigols have also found their way onto the model. Here still in the stack ...

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... and here already at the scene of the crime.

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My favorite detail :-) But I saw afterwards that the wooden panel only covers the top panel, so I'll probably have to touch that up again.

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The area of the hase bolsters has already been marked on the bow and the prison cell has also been given its bars ...

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... and the windows under the poop also got their window frames.

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XXXDAn

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PostPosted: Tue Feb 04, 2025 7:23 am 
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Made a little progress over the last few days.

First planked the poop railing, then built the curved end to the aft deck railing, pressed on the end strip using cable ties.

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Then sanded down the balusters on the side pocket, which has become quite fast.

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First built the dominant vertical rear end profile.
Then came the other window frames.

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The whole thing sprayed and the white balusters glued on ...

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... and then - oh horror - ...

...

...

...

XXXDAn

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PostPosted: Tue Feb 04, 2025 11:16 am 
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Beautiful dafi-esque work. Amazing as always :cool_2:

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PostPosted: Wed Feb 05, 2025 3:26 am 
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Thank you SG!

When the side gallery was in place, it didn't seem gloomy enough. An anxious look, and sure enough, the white balusters that I had been looking forward to so much just weren't there. Crap. And painting over it looked like crap. I'm sorry, but it did.

Like dafi does what dafi does best: Destruction!

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So I broke out the white balusters and put in new black ones. Now the eyeliner is still missing in the broad white profiles and then it could work. It's only an approximation anyway, as otherwise the side galleries would have to be completely rebuilt. At that time, the curves were less pronounced and the whole structure was more angular. But I can't reconstruct it much better with the documents I have so far. Maybe later on, new sources might turn up.

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And since I was just tinkering around, I added the chutes for the signal cannons. Probably so that powder and cartridge residues don't stick to the ship's side.

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XXXDAn

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PostPosted: Wed Feb 05, 2025 10:35 am 
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Just realized that I missed one entry. here it is :-)

So I went over the stovepipe outlet cover plate underneath the fore chains. First it was reduced in size according to the source. On closer inspection of the photpgraph, I noticed that the support block could also be a brick. Since the entire shipyard is made of red brick, I took the opportunity to color it.

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Here is my comparison picture again. The shoe for the anchor is still far too small, but the rest is slowly coming along :-)

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Even more distinct without color.

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As the picture is from 1920 and the state I am showing is 10 years earlier I do not know yet how much of the rot I will show.

XXXDAn

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PostPosted: Wed Feb 05, 2025 12:22 pm 
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Wonderful work Daniel! :thumbs_up_1: :thumbs_up_1: :thumbs_up_1:

This may not have been her most beautiful 'version', but it certainly is an interesting one. And it makes for a very unique model too!


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