I'm building a 1:90 scale tall ship and I want to replicate the intricate carvings around the stern windows and quarter lights. I doubt that wood would hold the details properly, so I wonder what to use, resin or some soft metal, or something?
I would appreciate any suggestions.
Crafting material
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biggles2
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Re: Crafting material
Depending on what the fancy work looks like - is it scroll work? - I might try using pieces of lead, or solder, wire to form the shapes, glue them on with CA, then paint them. 
- merriman
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Re: Crafting material
Renshape. https://www.freemansupply.com/products/ ... foam-boardbiggles2 wrote:Depending on what the fancy work looks like - is it scroll work? - I might try using pieces of lead, or solder, wire to form the shapes, glue them on with CA, then paint them.
Get the 40-lbs. stuff.
David
"... well, that takes care of Jorgensen's theory!"
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Killick
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Re: Crafting material
Yes, stuff like that. Thanks for your advice.biggles2 wrote:Depending on what the fancy work looks like - is it scroll work? - I might try using pieces of lead, or solder, wire to form the shapes, glue them on with CA, then paint them.
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Killick
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Re: Crafting material
Thanks for your help.merriman wrote:Renshape. https://www.freemansupply.com/products/ ... foam-boardbiggles2 wrote:Depending on what the fancy work looks like - is it scroll work? - I might try using pieces of lead, or solder, wire to form the shapes, glue them on with CA, then paint them.
Get the 40-lbs. stuff.
David
- wefalck
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Re: Crafting material
There are two different sculpting minds, the subtractive and additive ones. Subtractive minds prefer to carve from the solid, while the additive ones prefer to add material, as when working with clay. Decide which one you are and choose your material.
The classical material for intricate carvings is Boxwood or Castelo (the American variant of box).
For additive sculpting there are various polymer clays, two-part epoxies (e.g. Miliput White, Sculpey), or acrylic gels (which can be applied in layers with a brush). Once could think also of composite construction, e.g. laying out the scroll-work in wire or thread and then work it up with acrylic gel. You can also work on decal sheet and transfer the work later to the model.
The classical material for intricate carvings is Boxwood or Castelo (the American variant of box).
For additive sculpting there are various polymer clays, two-part epoxies (e.g. Miliput White, Sculpey), or acrylic gels (which can be applied in layers with a brush). Once could think also of composite construction, e.g. laying out the scroll-work in wire or thread and then work it up with acrylic gel. You can also work on decal sheet and transfer the work later to the model.
Eberhard
Former chairman Arbeitskreis historischer Schiffbau e.V. (German Association for Shipbuilding History)
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Former chairman Arbeitskreis historischer Schiffbau e.V. (German Association for Shipbuilding History)
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Killick
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- Joined: Tue Nov 17, 2015 12:15 pm
Re: Crafting material
That's useful advice, thanks.wefalck wrote:There are two different sculpting minds, the subtractive and additive ones. Subtractive minds prefer to carve from the solid, while the additive ones prefer to add material, as when working with clay. Decide which one you are and choose your material.
The classical material for intricate carvings is Boxwood or Castelo (the American variant of box).
For additive sculpting there are various polymer clays, two-part epoxies (e.g. Miliput White, Sculpey), or acrylic gels (which can be applied in layers with a brush). Once could think also of composite construction, e.g. laying out the scroll-work in wire or thread and then work it up with acrylic gel. You can also work on decal sheet and transfer the work later to the model.